Thorsten Becker sent me photos of this minefield marking chest he found. It’s dated 29 September 1944, and it’s in great shape and it still has the packing list on the inside:
200 batteries (compartment B) 42 flashlights TL-122-C (compartment C) 40 flashlights TL-122-C (compartment A) 164 bulbs (one in head and one in base) 2 in each flashlight 34 filters, amber for flashlights, in flashlight 48 filters, green for flashlights, in flashlight
This case was empty, but imagine finding a full one with 82 flashlights…
Geiger counter measuring radiation from a luminous disk
There has been quite some debate about how dangerous it is to keep these luminous disks in your collection. So I was very glad to finally get some concrete scientific advice on this.
Jon Korsmo finally provided a clear and conclusive explanation that I can share with you here. He is a certified nuclear medicine technologist and works with radiation all day as a job.
Jon isn’t really worried about the radiation of one disk or two on display, but it depends on what you do with these disks and the condition they are in.
These photos were sent to me by a collector called Mathieu. This flashlight is probably post-war, but I think it’s an interesting variation to inlcude anyway. AB-BL stands for Armée Belge – Belgisch Leger. Mathieu still has an open question that I can’t help him with: is it possible to date this flashlight to a certain era based on the ‘AB-BL’ marking? When did the Belgian army stop using this marking and changed it to ABL?
Peter Yates was so kind to send me photos from his own collection, including Brass and RAF black fly button compasses, unissued and still attached to the card they were issued on, razor blade compasses by six different manufacturers, and a compass hidden inside a cufflink.
I am looking for photos of these scarves in your collections. The one in these pictures is my own. It has a brown hem and bright yellow silk panel. There are no markings, other than a handwritten ‘4b’. As I did with the gas detection brassards, I thought it would be interesting to get photos from as many collectors as possible in order to learn about different variations. I know of 2 basic versions: both have a yellow silk panel. One has a brown hessian hem, the other has a white hem.
The scarf in full view
Remnants of black marking?
Handwritten marking ‘4b’
It was issued to paratroopers at a limited scale and intended for aerial forces to recognize friendly ground forces. With paratroopers often far ahead of regular allied forces, or even behind enemy lines, this was a very useful, even life-saving piece of equipment. In period photographs they are most seen worn around the neck as scarves.
The scarves were British made, but markings aren’t always present or legible. So I would like to make an inventory. Bill Rentz’ Gernonimo! U.S. Airborne Uniforms, Insignia & Equipment in World War II shows an identical panel which is marked ‘COURTAULDS LTD. 1942’ in a square with a broad arrow, and another one, also with a brown hem, marked ‘COURTAULDS LIMITED 1943, also with a broad arrow but no square.
Even though these are early dates, I have only found photos of the scarves being worn by US paratroopers for Operation Market Garden in Holland and Operation Varsity in Germany. It would be interesting to be able to determine more accurately which units wore these scarves and when and where, and whether they were issued the scarves with the brown or the white hem.
Replicas of these scarves do exist and can also be interesting to add to the overview. A replica I oncee had was well made, but the fabric wasn’t silk. The material of the panel was too coarse and a kind of modern-day signal yellow.
I am looking forward to receiving your photos, including any markings that may still be legible.
My Griswold bag review dates from 2008 and I had forgotten all about it. When Johan Willaert sent me some photos I thought it would be interesting to update the article. You can now see an interesting side-by-side comparison of the early and later types, as well as an extended type.
This latest volume came out in April and in my opinion, it’s one of the best in the series so far. You know from earlier posts that the other volumes are also excellent though.
Philippe Jarbinet had a bit of a late start as an author, but you wouldn’t know from reading the albums. They are stunning in graphic detail and the story line is more than just telling the history. There’s human emotion, especially in this latest album.
We are first taken to Nice and the liberation of Southern France in August 1944. A black soldier called Virgil who is attached to a field artillery unit gets into a scuff with a white airborne soldier and is transferred to Bretagne and then on to Belgium, where he ends up in the Battle of the Bulge.
In Belgium, he will again run into the white officer and they come to rely on each other to escape the hell of the firefight at the ‘Skyline Drive’.
I already look forward to the next volume, completing this story.
I made a step-by-step guide showing how to make plexiglass sweetheart grips for your own Colt M1911A1 replica.
Doesn’t this look amazing? So much better than the often terrible fake grips on Denix and airsoft replicas, and it’s pretty easy to do.
When I got my hands on a piece of scrap plexiglass, I got the idea to make a pair of custom grips for a replica Colt 45. My earliest memory of one like this is an example on display at the Imperial War Museum in London. They can also be found in reference books and many examples (original or not) can be found online. Pistols or revolvers with plexiglass grips were more common towards the end of the war, as I gather from photos in the many reference books I have.
I bought this set second hand, and I’m really happy with them. These radios look just like the original handie talkies, even down to the simulated crinkle paint finish. They have an actual PMR radio built in, so you can talk on any channel you like, and this on just 3 AA batteries. This as opposed to the original ones that could only communicate on one channel, and only with radios fitted with the same crystals for the same frequency as yours, and using a 90 Volt (!) battery. So for re-enactment these are just perfect. I already had my working EE-8 field phone set, but they are not so quickly set up, and of course they require a cable to connect them. With these BC-611s, you can also communicate with other PMR radios, which is great for historic vehicle tours and events. I look forward to taking them along on our next event! (when they are allowed again)
This reproduction has been around since 2014, but I never wanted to order them from the US. It would have been expensive, with shipping and customs duties. Now I just a chance to buy a used pair.
If you want to use them for display on a mannequin or in a showcase, there are some details you need to correct first, mainly to replace all philips head screws with regular screws. Orginals may still be found, but I think it’s not worth it for re-enactment and actual field use, which is what these were made for. However, I do plan to darken the paint to make it look older, and to add some white paint markings of my own. In books about Market Garden, for example you see these radios with large numbers hand-painted on them (usually at the bottom), so I might do that. Then there’s the antenna. The antenna cover and chain are like the orginal, but the actual aerial is a bit different from the original, which wasn’t as shiny and was slimmer, longer and had a small metal ball at its tip.
